These places always have the best prices and service, which is why I've used them since before this website existed. As this page is copyrighted and formally registered, it is unlawful to make copies, especially in the form of printouts for personal use. No, they're not kidding: the only way to see this display is to flip it down. This and almost all mirrorless cameras other than some Sonys aren't as good as DSLRs for action, while they have very high frame rates for things that hold still, they can't track moving objects very well. The best idea is to forget the ISO dial entirely and set it to "C," which cancels the dial's function and returns the full range of ISO settings to usually the camera's front command dial. It simply ignores ISO 80, 100, 125, 25,600 and 51,200 which you have to find elsewhere. The X-Pro3 uses a titanium top and bottom plate (scratch resistance for the DR coated bodies), a better grip, bigger and chunkier dials and buttons, dual card slots, better placed I/O ports (to the left instead of on the right grip side), and a centred tripod thread. 1/8,000 to 4 seconds (P mode), to 30 seconds (A mode), to 15 minutes (S or M modes) or to one hour in Bulb mode. This X-Pro3 is for people who demand more than a great picture; it's for people who appreciate a fine camera as a work of art in and of itself. Link to post Share on other sites. Search 17.470 oz. bigger. (EVF is upgraded). 0.66× EVF magnification, up from 0.52× in the X-Pro2. Rated 17½ oz. About Live color RGB histograms displayed before you press the shutter (something neither Sony nor Nikon can do except on playback when it's too late), but you have to activate this in the menu system (see my User's Guide). It also has a switch for AF mode and levers for other single functions, making these items much easier to set than on other brands of camera which more often force these settings into unnamed dials and function buttons. You have to flip this down to see the real LCD. While the rear LCD flips down 180º, it faces behind. Categories: Fuji X-Pro rangefinder line of camera has been hit with a problem with the EVF. If you use Image Review with the optical finder, the electronic playback image magically replaces the live optical view. I'm not an X-Pro3 fan because I personally prefer my X100F (I've owned every one of the series), I have a freezer full of a lifetime supply of Fuji film and I love my my X-T30. It's easy to charge with any generic USB-C cable (I get mine at the 99¢ store) from any regular 5V USB socket. Fully adjustable, except that one cannot shift the AUTO value for minimum shutter speed away from its default. Water Feature in Last Light, 3:49 PM, 25 November 2019. It can be set to show a film box end in "Classic" mode representing how you have your X-Pro3 set as shown above, or set to a more utilitarian display in "Standard" mode: Rear Display, "Standard" mode. The X-Pro3 features a viewfinder selector on the front that allows you to switch between the optical and electronic viewfinders (more on this below). The red filter will help remove skin blemishes under any light; that's been a pro secret since the introduction of panchromatic film back in the early twentieth century. Otherwise, the specifications of the Fuji X-Pro3 are the same as the latest Fujifilm models. The images seem just about unchanged up to ISO 1,600, which is excellent, and get a little softer starting at ISO 3,200, above this they get softer and softer. The rear LCD usually only comes halfway down when mounted on a tripod. "Q" Quick Menu display now offers options of 4, 8, 12, or 16 function icons. Desert Palms, 8:05 AM, 26 November 2019. Contact, $1,999 in optional Duratect "Dura" silver, Optional Fujifilm BC-W126S External Battery Charger and plug, three times faster than the $10,000 GFX100, as I prefer for nature and landscape shot. If you've gotten your gear through one of my links or helped otherwise, you're family. New We can set the degree of Warm/Cool toning for as-shot B&W images. This is a frustrating camera to set up unless you're both patient and talented. Easy! Serv. 1,920 × 1,080 overcrank: 120p/100p at 200Mbps (recording) up to 6 minute take length. Fujifilm X-Pro3 viewfinder and LCD – The “hidden” LCD nudges you towards viewfinder-only shooting. First introduced in October 2019, Fujifilm X-Pro3 is a 26.0MP Advanced Mirrorless camera with a APS-C (23.5 x 15.6 mm ) sized BSI-CMOS sensor, Tilting touch screen and Fujifilm X lens mount. Comes in black, "Duratect" black and "Duratect" silver. Yes, I love film photography, but I also love well crafted digital cameras and their output. If you have to ask why you would want this camera, you clearly lack the perspective to appreciate an instrument like this; you won't understand it until you get a few more decades of experience into your portfolio. Revolving around a highly versatile sensor, the X-Pro3 features an APS-C-format 26.1MP X-Trans CMOS 4 sensor, which has a back-illuminated design to afford smooth tonal rendering, improved low-light performance, and a low native ISO 160 setting. A digital camera designed with a film ethos, the. This lets your as-shot B&W images be saved as toned, rather than being just neutral gray. bigger, full-resolution or camera-original © JPG file. See also Fujifilm's X-Pro3 owner's manual. bigger. I use the stores I do because they ship from secure remote warehouses where no one gets to touch your new camera before you do. It's equally legible in daylight and indoors, but it has no backlight so it's invisible in the dark. The X-Pro3 magically switches optics instantly to make seamless swaps between the optical and electronic viewfinders, and there are hybrid modes wherein you can have electronic images overlaid in the optical finder. Besides its imaging capabilities, the X-Pro3's strengths lie in its sophisticated design, which includes the Hybrid Multi Viewfinder that combines both an optical viewfinder and a 3.69m-dot OLED electronic viewfinder. Outdoors with clouds I love the red filter option. You have to manually go into a more restricted AF area mode to be able to select areas. FACE DETECT can't be overridden by moving an AF point, even if it's WRONG and locks-on to something stupid. The sensor and processor also enable an ISO 160-12800 sensitivity range for working in a variety of lighting conditions. bigger. bigger. Fujifilm X-Pro3, Fujifilm XF 35mm f/2 WR at f/5.6 at 1/850 at Auto ISO 320 (LV 13.0), Auto Dynamic Range 200%, Perfectly Clear. The X-Pro3 isn't for casual shooters and weekend-only pros, it's for masters whose work transcends the abilities of ordinary cameras. All other standard return policy conditions apply. I wouldn't get this for sports; autofocus can't keep up even if the static frame rates are fast. Color rendition is the same as other Fujifilm cameras. Menu system now usually opens where you were last working, not all the way back at the top as Fuji cameras used to do. Settings and menus have the usual slight time delays when setting, and there is very little shutter and AF delay. Clicking the nubbin down is simply ignored. (X-Pro2 had variable 0.36× or 0.6× magnification, depending on lens mounted.). Fully adjustable Auto ISO with three presets (good), except that one cannot shift the AUTO value for minimum shutter speed away from its default. Rear Display, "Classic" mode. Use the usual electronic finder for precise framing, focus, exposure and color and menus and playback, or tap a lever to swap to the optical finder (seen through the same eyepiece) to get olde-fashioned live view the way LEICA has been doing it for over 100 years. Books Please Fuji, make and X100 camera in the spirit of the X100 series (lens, viewfinder, simple design), but with the back of the X Pro3. $1,999 in optional Duratect "Dura" silver. No rear LCD to distract your picture taking with settings, focus, control or playback. Fujifilm X-Pro3: Weird rear display and two card slots!!! You can get it in all three colors at those links; just click the options. Turn this on at MENU > WRENCH > SCREEN SET-UP > IMAGE DISP. Gallery The defaults are OFF. It's helped by Fujifilm's low contrast and low saturation images which tend to downplay any color nastiness. While images swap from one to another instantly, they first display as a slightly fuzzy preview for a half a second before popping-in sharp a moment later. The nubbin can't select AF areas in the WIDE/TRACKING mode. There's an optional external charger you don't need unless you need to charge a second battery externally while the first charges in-camera: Optional Fujifilm BC-W126S External Battery Charger and plug. If this is what you shoot, stick with Nikon or Canon — or shoot Fuji Velvia 50 film for the best possible colors. The rear display is always-on. Palms in Last Light, 3:48 PM, 25 November 2019. Manufacturer rebates, terms, conditions, and expiration dates are subject to manufacturers printed forms NYC DCA Lic. I'd suggest that Fuji shouldn't lock-out manual AF point override in FACE DETECT, now we have to manually deactivate FACE DETECT if it insists on locking-on to something wrong. You have to enable these manually at MENU > AF/MF(page 2 of 3) > FACE/EYE DETECTION SETTING > FACE DETECTION ON > EYE AUTO. These modes mimic the look and feel of some of FUJIFILM's classic film types, including Eterna, which copies the look of cinematic film with understated colors and richer shadow tones; Acros, which offers smooth tones, deep blacks, and fine detail; and Classic Chrome, which is designed to deliver muted tones and a deep color reproduction, similar to that of a dated slide film. What makes the X-Pro3 unique, along with the X-Pro2 and original X-Pro1, is its combined optical and electronic finder borrowed from the X100, X100S, X100T and X100F franchise. Press the rear DRIVE MODE button and select HDR. I've been making comparisons to the X-T30 throughout this review. Also available are the “DR Black” and “DR Silver” versions, w… The electronically-drawn drawn frame and graphics look fine indoors, but outdoors they aren't always as bright as you might want. Follow the link to read our detailed comparison of these models: Compare Fujifilm X-Pro3 vs Fujifilm X-Pro2 If indoors I prefer the yellow filter option. Unique hidden LCD design tilts downward 180° to reveal a large 3.0" 1.62m-dot touchscreen; when not in use, the screen is hidden against the camera body to avoid distractions. With wider lenses the frame goes away and you're left with yellow arrows pointing outside the dark frame. Playback scrolling around a zoomed image isn't as fast as I'd like it, but it's still much faster than the GFX 100. Regular 1,620,000-dot rear touchscreen LCD hidden on backside of flipping rear panel. Regular LCD cannot be docked facing out; has to be left flipped-down to see it. Click any for the camera-original © file: Click any for the camera-original © file. "X-Trans" sensor with a unique better-than-Bayer color filter array allows for sharper pictures than other 26MP sensors, but not all raw software can read the special files. The ISO dial actually has reasonably legible digits for every single ISO to which it allows setting, unlike most ISO dials that only label full stops and use tick marks for the third stops. It can't be used for foolishness like self portraits. Still, the whole point of the X-Pro3, compared to the EVF-only X-T3 and X … Even if shooting with the optical finder you can have playback pop right up after each shot, or you can have hybrid displays where, for instance, you can use the optical finder and also have live electronic inserts showing magnified focus aids all at the same time. Precise, mostly metal construction. I'd get my X-Pro3 at Adorama, at Amazon, at B&H, at Crutchfield or at eBay if you know How to Win at eBay. Very oddly one can only flick the rear nubbin up to change to a different kind of page view (picture only, picture with data, detailed data, etc.). (447 g) stripped. It draws .MOV holding MPEG-4 AVC/H.264 video and 24 bits at 48 ksps PCM stereo audio. On the reverse of the large 3.0" screen is a smaller settings display, which can highlight exposure settings or a graphic of the film simulation in use. The unique fold-down screen design keeps the larger 3.0" screen hidden against the body when not in use and a secondary smaller settings display is available while shooting. No free external EF-X8 folding shoe mount flash as included with the X-T3, either. Fuji does use a tamper sticker on the camera bag inside the box, but these are easy to put back so they don't show any tampering. High ISOs   Auto ISO   Auto White Balance. They are titled as "Untitled,” making them easy to confuse in your computer's finder when trying to figure out what's what. The X-Pro3 is made better than most cameras, with loads of metal: Strap lugs, titanium top cover, shutter speed & ISO dial, power switch, shutter release button, exposure compensation dial,front and rear control dials, front finder control lever and button, lens mount, lens release button, focus mode lever, LCD panel hinge, battery door hinge shaft, titanium bottom cover and tripod socket. 17.405 oz. 32 frames. Also, the camera features a 2.5mm port and a 3.5mm external microphone adapter is included for more advanced audio solutions. X-Pro2 has variable 0.36× or 0.6× magnification, depending on lens. Store #0906712 Elec. If these 600 × 450 pixel crops are about 6" (15cm) wide on your screen, then the complete image printed at this same extreme magnification would be about 42 × 62" (3.5 × 5.2 feet or 1.05 × 1.6 meters). No more 4-way rear controller; just a thumb nubbin which is also in the X-Pro2. Geesh! Fujifilm digital cameras' colors are unbeaten for people photos. Only the big rear LCD works as a touch screen. You can see live color RGB histograms before you press the shutter (something neither Sony nor Nikon can do except in playback when it's too late), but you have to activate this by programing an Fn button to call-up the color histogram. I see no separate options for falloff, distortion, diffraction etc. This design enables a simpler, more streamlined and unencumbered shooting method that helps to keep you in the moment. The X-Pro2 could alternate between 0.35 and 0.60 magnifications, the X-Pro3 has only one set magnification level of 0.52. Thank you! Tous droits réservés. It has a hole to allow battery (but not card) access. Gallery No distracting rear VIEW MODE button as there no longer is a distracting rear LCD monitor. Fujifilm does this much better than other cameras. Speed up future orders, see order history, create wish lists, and more. Lens corrections are all put in a "LENS MODULATION OPTIMIZER" option set at MENU > I.Q. DCI 4K (4,096 × 2,160): 29.97p/25p/24p/23.98p 200Mbps/100Mbps, up to 10 minute take length. Sorry; this is a camera for highly talented professionals. You can swap between the various modes with the front lever. I don't know if it charges any faster with dedicated PD (Power Delivery) higher-voltage USB-C chargers. The X-Pro3 handles much better than Sony's cameras. It gains a high… As you'll see, they are sharpest at ISO 80 and become progressively softer at higher ISOs. I prefer to use both card slots and use the second as a backup, making duplicate copies of everything I shoot, as I shoot. Optical viewfinder on the Fuji X-Pro3 and Fuji X100V cameras. If this happens and you can't focus on what you need to, turn it off. Autofocus is always accurate; all my X-Pro3 shots are in focus. Therefore use whatever ISO you need if you need it to get a sharp photo. So, the Fuji X Pro 3 is equipped with a 26MP BSI X-Trans CMOS sensor, and the X-Processor 4 image-processing engine the same as the Fuji X-T3. 1/32,768 to 4 seconds (P mode), to 30 seconds (A mode), to 15 minutes (S or M modes) or only 1 second in Bulb mode. (497 g) with battery and card, 15¾ oz. A digital camera designed with a film ethos, the FUJIFILM X-Pro3 is a unique mirrorless camera characterized by its distinct viewfinder design, a hidden LCD screen, and its stylish, rangefinder-inspired design with a black finish. If you have the camera set in one of many ways in which flash won't fire (like Silent Shutter), the flash option simply disappears and makes you have to guess what to do to get flash going — and this goes on and on. and the camera won't tell you why. 26.1MP APS-C X-Trans BSI CMOS 4 Sensor and X-Processor 4, Average, Center-Weighted Average, Multi-Zone, Multiple, Spot, Aperture Priority, Manual, Program, Shutter Priority, Automatic Scene Recognition, Color Temperature, Custom, Fine, Fluorescent, Fluorescent (Cool White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater, DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s], Up to 59 Minutes for DCI 2K (2048 x 1080) at 59.94p, Continuous-Servo AF (C), Manual Focus (M), Single-Servo AF (S), Auto, First-Curtain Sync, Manual, Off, Red-Eye Reduction, Second-Curtain Sync, TTL Auto, 5.5 x 3.3 x 1.8" / 140.5 x 82.8 x 46.1 mm. Autofocus tracking is slow; while it has fast frame rates for subjects that hold still, this is not a good camera for sports or action. The Fujifilm X-Pro3 is a special camera for special people. We close every Friday evening to Saturday evening for Shabbos. Auto ISO works well and is very flexible, with high and low ISO limits programmable, as well as minimum shutter speed. 2,160,000 on-sensor phase-detection pixels. Flash exposure compensation is also set there. 5 FPS: JPG: 205 frames, Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames. In terms of imaging, the X-Pro3 features the APS-C-format 26.1MP X-Trans CMOS 4 sensor along with the X-Processor 4, which enables high-resolution … The X-Pro3 can output audio (for monitoring via a headphone) with the USB C type port but you’ll need an adapter. Swivels down 180º, but not left or right. You can get it in all three colors at those links; just click the options if you prefer optional Duratect "Dura" black or optional Duratect "Dura" silver. Fujifilm X-Pro3 and XF 35mm f/2 WR. 2,048 × 1,080: 59.94p/50p/29.97p/25p/24p/23.98p at The live image is a little less sharp than playback images. You can't hit MENU again to get out of the menus to shoot, press the shutter or hit the DISP/BACK (not MENU) button. Shot as in-camera JPGs I'm rarely happy with the straight-out-of-the-camera results from my Fujifilm cameras; I just can't increase the saturation enough in camera to do what I want. It's quite a feat of engineering prowess and something Fuji's been doing since 2010, and has never been equaled by any other brand. Fujifilm X-Pro3 and XF 35mm f/2 WR. I buy only from these approved sources. The electronic finder is very good, sharp and bright, with pretty good automatic brightness control. > choose display time, or CONT leaves the just-shot image up until you press another button. The X-Pro3 is loaded with clearly engraved dials for many functions like ISO, shutter speed and exposure compensation. Donate 22 frames. Dual SD card slots allow for a more flexible and reliable means of storing imagery. All rights reserved. This means that in-camera JPGs tend towards muted colors and low contrast ideal for people pictures. Rank in All Cameras: #97 Rank in Mirrorless Cameras: #61 Pre-shot: 20 FPS max. bigger, full-resolution or camera-original © JPG file. bigger. The optical finder can't zoom to optimize itself for different lenses as the optical finders of 35mm point-and-shoots and the outstanding CONTAX G2 do, so Fuji has to use a very low magnification (0.52×) so the finder can show the view of very wide lenses, but that also means normal and longer lenses only use a small portion of the finder's overall view. Real engraved metal dials for most real photography functions. by William Brawley| Posted 12/05/2019 While both of Fujifilm's X-T cameras, the X-T3 and the X-T30, underwent their most recent revisions last year, the rangefinder-styled X-Pro model remained unchanged since the X-Pro2debuted in 2016. Also try AFC custom settings for speed, and try a faster-focussing lens: the 18-55mm is good, the 15-45mm isn't as good. 20 FPS: JPG: 53 frames, Lossless compression RAW: 17 frames, Uncompressed RAW: 17 frames. This X-Pro3 is a special camera for accomplished artists and people who deserve the very best. © Ken Rockwell. 30 FPS: JPG: 26 frames, Lossless compression RAW: 17 frames, Uncompressed RAW: 17 frames. If all you want are great pictures, the X-T30 and X-T3 have exactly the same sensor and picture performance. Changing between viewing types is quickly performed via the dedicated finder switching lever on the front of the camera body. You choose its function at MENU > WRENCH > SCREEN SET UP > (page 3 of 3) > SUB MONITOR > CLASSIC (film box) or STANDARD (numerical data). 10 frames while half press, max. This is great; Fuji doesn't box us in with only one or two kinds of cameras or formats as the other companies do. New "Color Chrome Blue" film simulation mode. bigger. $1,999 in optional Duratect "Dura" black. About half engraved and filled with paint, and the rest just printed. As a reminder, the XPro3 has an electronic viewfinder and an optical viewfinder. No headphone jack, but you can use an adapter from the USB-C socket. No built-in stabilization but works great with stabilized lenses. If you find this page as helpful as a book you might have had to buy or a workshop you may have had to take, feel free to help me continue helping everyone. It's the same as other contemporary mirrorless cameras but not as immediate as a DSLR. bigger. If you have flicker reduction or the silent electronic shutter activated (or possibly in other modes as well), the flash simply won't turn on. All the Fujifilm cameras are superior for people and group photos due to their magnificent flesh tone rendition, however this doesn't play as well for nature and landscape photos where I want more vivid colors; the film simulations are nowhere near as good at being Velvia as real Velvia film; I prefer the vivid settings in my Nikons and Canons. Both cameras have a microphone input but it’s a 2.5mm type, which is smaller than the standard 3.5mm. Receive a FREE 1-year Flickr Pro subscription, With Your Purchase of a Fuji X Series Camera!. Workshops "Autorotate Playback" (MENU > WRENCH > SCREEN SET-UP (page 2/3) > AUTOROTATE PB) isn’t; it just rotates vertical shots so they take up only half of the screen. Grain (noise) effect now lets you choose the level and size of the grain. Optical finder now fixed at 0.52× magnification. I'd get my X-Pro3 at Adorama, at Amazon, at B&H, at Crutchfield or at eBay if you know How to Win at eBay. I can't vouch for ads below. If you want Program mode, set both to A. Skin tones always look great almost all the time. Search Tiny rear "Sub Monitor" is always on and always visible in any light, but has no backlight so it's invisible in the dark — just like a real film-box end. Most users will never figure out how to use most of the glitzier features, and Heaven help you if you only use it once a month. The X-Pro3 has the “Advanced Hybrid Viewfinder”, the world's only viewfinder that can be switched between optical viewfinder (OVF) and electronic viewfinder (EVF). Reviews The PLAY button is only marked PLAY; there is no universal [▶] symbol to make it easy to find. Specifications suggest, and my tests prove, that the X-Pro3's high ISO performance is the same as the X-T30. It's bigger, heavier and more complex than the X-T30, yet takes exactly the same pictures, adding a second card slot, a crippled ISO dial and an optical finder to the usual EVF, but hides the rear touch LCD and deletes the X-T30's advance mode dial. #0907905; Sec. Once you've set a B&W film simulation mode, choose how warm or cool or magenta or green you'd like them at MENU > I.Q. All shot hand-held as NORMAL JPGs; no RAW files, FINE JPGs or tripods were used or needed. Sadly cards are not properly titled. An ISO dial is also incorporated into the shutter speed dial, for confirming the sensitivity setting without having to turn the camera on and the exposure compensation dial lets you choose +/- 3 EV in 1/3 steps. Just plug it into any USB port with any random USB-C cable. Minimum shutter speed is set in full stops from 1/4 to 1/30 and in third stops from 1/30 to 1/500. > FILM SIMULATION > and choose any of the many B&W options under ACROS or MONOCHROME. Max ISO is set in full stops from ISO 400 to ISO 12,800. While there is an ISO dial, it's crippled and only sets from ISO 160 ~ 12,800. You can leave this on all the time. It costs you nothing, and is this site's, and thus my family's, biggest source of support. Tiny rear "Sub Monitor" is always on and always visible in any light, and has no backlight so it's invisible in the dark — just like a real film-box end! Manual shutter speeds set directly to 15 minutes. This is a camera for the masters, not for emerging artists, mid-career guys or the inexperienced. The email address you entered was an invalid email. Deal. Fujifilm X-Pro3 (17.4 oz./494g with battery and one SD card, has two SD slots, $1,799 in black as shown here or $1,999 in optional Duratect "Dura" black or $1,999 in optional Duratect "Dura" silver) and XF 35mm f/2 WR. You can set this in the menus the hard way, or just hold DISP/BACK a few seconds, and BINGO!, you'll be right where you can set them all! > MONOCHROMATIC COLOR > and adjust on the WC / MG axes. bigger, full-resolution or camera-original © JPG file. This means that you are not looking through the lens, but instead through a fixed lens in the viewfinder itself, giving you a sometimes odd perspective on the world in front of you.When you pick up the X-Pro2 for the first time, assuming you have not used a rangefinder before, one of th… Medium: 4,416 × 2,944 pixels (13.00 MP). PROs: Built-in Wi-Fi | Articulating Screen | 4096 x 2160 Video | Touch Screen | Timelapse Recording | Electronic Built-in Viewfinder | Face Detection | 26.0MP Sensor | 12.800 Max ISO | 425 Focus Points | #10 Fujifilm X-Pro3: 26 MP | APS-C BSI-CMOS Sensor Fujifilm X Mount. Alle Rechte vorbehalten. Silent electronic shutter goes to 1/32,768. This is why it's critical to buy only from an approved online source, since they ship from automated warehouses where no shifty salesmen or other customers ever getting to touch your new camera before it ships. The Fujifilm X-Pro3 ($1,799.95 and up, body only) proudly stands out from a crowded pack of competitors. More than a stills camera, the X-Pro3 offers an enticing array of video capabilities, including internal DCI/UHD 4K recording at up to 30 fps. I can set my Nikons and Canons to give much higher color saturation as I prefer for nature and landscape shots. The top plate incorporates a series of locking dials and levers for fast, intuitive control over exposure settings, including a shutter speed dial that offers direct shutter speed adjustment. 78 frames. Like most mirrorless cameras, exposure is almost always perfect. The tiny thing that's there is just for show; the real rear LCD has to be flipped down to be seen or used. I'm not a fan of the film emulation and special picture modes; except for people pictures for which this camera excels I'm not happy with it for my style for nature, landscape, architecture and other genres as its JPGs are too subtle for me. The Fuji X-Pro3 continues to use the same hybrid optical viewfinder / electronic viewfinder as its predecessor, with a few important differences. The Fujifilm X-Pro3 is a unique mirrorless camera characterized by its distinct viewfinder design, a hidden LCD screen, and its stylish, rangefinder-inspired design with a black finish, and it will appeal to those who want a waist-level screen or an optical viewfinder experience.