Now, this “video-first” mirrorless has been officially announced. Let’s take a closer at everything the S1H has to offer! Newark, NJ (May 31, 2019) – Panasonic Corporation is proud to announce the newest addition to the LUMIX S series, the LUMIX S1H, a new Digital Single Lens Mirrorless camera equipped with a full-frame image sensor. Having Dual Native ISO translates into having a camera with a better low light quality. **24p/180 fps Timecode is a clock, that counts in frames and is natively integrated into the LUMIX S1H and GH5S. This allows you to pre-select various project settings, such as framerate, resolution, codec and Hybrid Log Gamma and will then show only the matching recording modes. Photographers and filmmakers traditionally have different ways to determine the exposure of images, which results in having different terminology and handling. LUMIX Ambassador Jacob James introduces you to the exposure tools of the S1H and how to set them. To round it off, Jacob shows you some options for extra peace of mind such as a battery lock and caution system, a tripod screw with pin stop to prevent rotation and software features such as loop recording to not miss a moment and segmented file recording to prevent data loss. Filmmaker and LUMIX Ambassador Nick Driftwood guides you through the settings for shooting in Hybrid Log Gamma (HLG) on the LUMIX S1H in order to record the wide dynamic range for displaying footage on HDR-Displays. Posted by admin_damiendemolder. It can help while grading the footage. With the Lumix S1H, Panasonic has used its considerable video experience to bring many of its high-end VariCam features to the Lumix S range. *DC-G100/G110 will also be compatible in the future. ... but the S1H changes that. ), thus allowing great video performance, but also keeping the same photographic specs as the other models. Last week, Panasonic figuratively blew the doors off its competition in the pro video space with the introduction of the Lumix S1H. See our Panasonic S1H hands-on preview for all the details! What gets clear trough this first look, however, is that the Panasonic S1H can be a game-changer for videographers all over the world. Keep in mind that if you plan on using the HDMI port for recording, you’ll find that the signal will cap at 4K. Moreover, footage shot with the LUMIX S1H can be seamlessly edited with footage shot with VariCam cameras. LUMIX Ambassador Nick Driftwood explains about different Timecode settings available, shows you how to sync with Timecode and also how to tie in non-Timecode devices (such as the LUMIX S1 or LUMIX GH5) via external Timecode generators, such as the Tentacle Sync-System. Meet the Panasonic LUMIX S1H and let LUMIX Ambassador Jacob James give you a short overview of the most video-centric member of the S-Series family. To get this higher sensitivity, the camera’s sensor has a sensitivity switching circuit for each pixel. Producing professional video oftentimes requires more than a capture device. Or is it? OK, Categories | Introduction | Recording Options | Expanding the setup | Exposure | Sensitivity/HLG | Shooting with V-Log | Others | Software Update | Firmware Update. It was also the first Netflix approved mirrorless camera, despite Sony having had 4K cameras available for several years prior. *DC-G100/G110 will also be compatible in the future. Unfortunately, that seems to be a limit of the HDMI standard. The LUMIX S1H has several options via its full-size HDMI-output. This new body promises a lot of features and details that will make our life much easier. Designed under consistent color management, the S1H's recorded footage is compatible with V-Log footage recorded by VariCam or V-Log L footage recorded The color and even the texture of human skin are faithfully reproduced. Our website uses cookies and similar tools to improve its performance and enhance your user experience and by continuing to use this website without changing your settings, you consent to their use. V-Log is a logarithmic curve which describes the relationship between colour bit values and exposure. The Panasonic LUMIX S1H is pretty similar to the LUMIX S1 in terms of photo capabilities. He also introduces you to the L-Mount with its short flange back to be ultimately friendly for connection of all kinds of lenses. Jacob shows you the relationship of V-Gamut to other colour profiles, such as Rec.709, Rec.2020 or Rec.2100, ensuring compatible to your destination project format or colour space. Well, in all honesty, the footage is clean, nice and have A LOT going for it, but to me personally, footage looks-wise, it is very similar to Panasonic S1. Select from 35 conversion LUTs and artistic looks for VariCam and EVA1 cinema cameras. I also recommend downloading Panasonic’s own Rec709 LUT from here. It provides over 14 stops of dynamic range in V-Log and an ultra-wide Gamut, which includes BT2020 and HLG (Rec.2100) for the greatest flexibility when editing. In this video, LUMIX Ambassador Jacob James will explain monitoring, transformation and creative LUTs and how to use them. eval(ez_write_tag([[300,250],'4kshooters_net-banner-1','ezslot_8',145,'0','0'])); The file is a Long GOP with a bitrate of 200MB/s, the same we’ve seen in other Panasonic cameras, but is only available if shooting internally. Filmmaker and LUMIX Ambassador Nick Driftwood shows and explains the difference between Standard Dynamic Range and High Dynamic Range (HDR) and how to get the best quality output for Standard and HDR-Displays. A Vienna-based filmmaker Tamás Kiss did the test. He will also introduce the Synchro Scan tool, which ensurs that capturing footage with flickering is minimised. These models are equipped with the world's first *1 4K 60p/50p video recording function and the Dual I.S. Then, you'll see in Final Cut Pro X how easy it is to recover a 4+ stops overexposed shot, and how to manage both HDR and SDR editing from Apple ProRes RAW files. With the S1H the XDQ slots are gone in favor of a more universally accepted SD card slot. Syncing it automatically via a common timecode saves time and money. LUMIX Ambassador Steven Clarey takes you through these options and explaining examples, such as capturing 4K/60p footage in 10 Bit on an Atomos Recorder Monitor – also to give you access to other codecs, such as ProRes HQ Recently, the 8K-shooting Canon EOS R5 … The S1H is much beefier, it has a completely different cooling system (with vents! The LUMIX S1H is Panasonic’s new flagship mirrorless full-frame camera that was revealed a couple of months ago at Cine Gear. It is the industry standard way to sync material coming from different sources. In a nutshell, it seems to be almost the perfect camera: custom-designed body, Dual ISO, 6K recording, unlimited rec time, sensor stabilization… Seems too good to be true. Call me crazy, but somehow it was not so easy to grade Panasonic’s S1H V-Log image. V-Log is a flat format and needs interpretation and adjustment to get the final colour appearance. You'll see how to enable Apple ProRes RAW output and recording, what resolutions and framerates in both NTSC and PAL are supported, and learn some hints on how to expose when shooting Apple ProRes RAW. Panasonic S1H Hands-On + Sample Footage Francis Joseph D'Costa September 17, 2019 Blog No Comments In the last year, a lot of rumors have been circulating about Panasonic being ready to unveil a completely new mirrorless camera, something more focused on video. The LUMIX S1H is equipped with Tally Lights on the front and back, which can be individually switched on – or kept off There is also the possibility to set a red frame to the Viewfinder / Monitor, indicating that the LUMIX S1H is recording. He explains Colour Depth and how filming with 10-Bit versus 8-Bit gives you much more options in post-production and in converting V-Log footage into linear profiles. That alone puts it in a completely new league, far away from other mirrorless competitors. As part of the LUMIX S series, Panasonic aims to release them on the global market early 2019. The Luminance Spot Meter function allows you to see the luminance value of any area of the image in order to easily adjust exposure settings to monitor the consistent values in different lighting situations or set the exposure value quickly with a reference, such as a grey card. Compatible models: DC-S1H, DC-S1R, DC-S1, DC-S5, DC-GH5S, DC-GH5, DC-G9 Panasonic has released the LUMIX Webcam Software (Beta) for Windows / Mac, a one-stop webcam software making it possible to use an applicable LUMIX camera as an webcam for purposes such as live streaming or video conferencing. Panasonic LUMIX S1H - raw video news, and sample footage. Now, we will try to discover them with Carl Yates at ProAV TV who has already got his hands on this brand new camera and will tour us around for a first look. The rumors were somehow confirmed when a few months ago Panasonic itself teased the existence of such a device. If you are already grading, you might want to download 33 free LUTs from Panasonic’s site. For an easy overview, the LUMIX S1H comes equipped with a dedicated menu option: The recording mode filter. As a further convenient touch, the LUT in use is displayed on the camera monitor. As I was working on producing my 4-hour master class training video for the Panasonic S1H I really enjoyed getting out a couple of times to shoot wildlife footage (mostly birds!) Create emotional slow-motion footage of up to 30x normal speed (30p/2 fps) *24p/60 fps. The S1H offers a full-frame sensor with up to 6K-resolution, has a sophisticated feature-set for professional cinematographers and offers anamorphic filming. eval(ez_write_tag([[320,50],'4kshooters_net-large-leaderboard-2','ezslot_2',146,'0','0']));eval(ez_write_tag([[320,50],'4kshooters_net-large-leaderboard-2','ezslot_3',146,'0','1'])); The stabilized sensor is on par with the great performances we saw in the previous iteration, as isn’t, unfortunately, the case with the onboard autofocus system. 6K Pre-Burst mode is useful for short bursts of action because it only records for 2 seconds. LUMIX Ambassador Jacob James shows you the differences of using native autofocus lenses and manual cine primes. The big boasting feature that probably caught everyone’s eye is the 10-bit 6K recording. virtually the same as those of the Panasonic Cinema VariCam, to precisely capture everything from dark to bright areas. There are times, when you wish to also record externally to create a second file for backup purposes or for having one in another resolution. As a direct consequence of the improved cooling, the camera doesn’t have a recording limit. Order Links:eval(ez_write_tag([[320,50],'4kshooters_net-leader-1','ezslot_6',147,'0','0']));eval(ez_write_tag([[320,50],'4kshooters_net-leader-1','ezslot_7',147,'0','1'])); Panasonic Lumix DC-S1H Mirrorless Digital Camera (B&H, Amazon). With this latest addition, the S lineup now consists of three cameras, each one with a specific user in mind. The list of features is endless, and in a first hands-on we have to gloss over so many. According to Panasonic, the S1H’s recorded footage is compatible with V-Log footage recorded by VariCam or V-Log L footage recorded by other LUMIX cameras such as the GH5/GH5S and S1. Manual lenses can be registered in the camera and get an individual stabilisation profile assigned. Get Instant Access! Moreover, footage shot with the LUMIX S1H can be seamlessly edited with footage shot with VariCam cameras. Yates did not even talk of the native dual ISO or the anamorphic de-squeeze. The [V-Log] curve characteristics comply with “V-Log/V-Gamut REFERENCE MANUAL Rev.1.0”. Featuring V-LOG / V-Gamut with 14+ stops of dynamic range, 3:2 6K/24p full-frame capture, 10-bit Cinema 4K/4K 60p/50p recording, and unlimited recording time, the LUMIX S1H is the new full-frame mirrorless camera package that finally helps you deliver the cinematic video you've been dreaming of. The S1H brings the features and feel of Panasonic's GH series to the L-mount full-frame system. LUMIX Ambassadors Jacob James and Steven Clarey explain the differences between spherical and anamorphic lenses and how the lens choice affects the look of the footage. LUMIX Ambassador, Steven Clarey, explains the differences of PAL-, NTSC- and Cinema-settings. DaVinci Resolve 17 + M1 Macs – Can You Edit 8K RAW in Real-Time? The sensor has a higher MP count and a few features are useful in still photography. Furthermore, the LUMIX S1H allows you to save your selection in a Quick Access Menu, which can store up to 12 individual sets, making it easier when working on several different projects at the same time. But it doesn’t end there. The LUMIX S1H provides a full spectrum of recording formats: From HD/180fps to 6K high resolution. Sounds complicated? The second important factor in colorimetry is chroma subsampling, indicating how a camera interprets colour on a pixel base. This choice of moving away from XQD cards will meet the favor of many of us that already own plenty of SDs, but we must note that the XQD was a great media to record to, surely tougher than the SD. LUMIX ambassador Nick Driftwood takes you on a tour through LUMIX S1H’s tools to give you hand in setting your exposure correctly in V-Log. High Speed footage of up to 120fps can now be captured with active AF as well as full audio. The S1H offers a full-frame sensor with up to 6K-resolution, has a sophisticated feature-set for professional cinematographers and offers anamorphic filming. Some Of The Most Reliable Hard Drives for Your Workflow, Shooting an Indie Feature with One Lens – The Sigma 18-35mm T2, The World’s Fastest E-Mount 15mm f/2 and Widest MFT 7.5mm f/2 Lenses from Venus Optics Announced, Sony VENICE Firmware 6.00 to Be Released on Dec 15th. Panasonic and Atomos were kind enough to provide us with a LUMIX S1H and Ninja V testing units with the RAW output and ProRes RAW capture enabled. The controls, the interface and certainly the hardware have been built for video and cinematography, and the fact it’s also … What is BT2100, “Hybrid Log Gamma” (HLG) and how to get the best image quality in HDR out of your LUMIX camera for any use. To find out more about the cookies we use or how to change your settings, please see our Cookie Policy. In 6K Burst mode the Panasonic S1H shoots 6K footage for as long as you hold down the shutter release button. In this video, Panasonic LUMIX Ambassador and filmmaker, Jacob James, guides you through some 3rd party accessories. Framerates are an important concept to be understood even before choosing your project settings. By this, LUTs do the job of translating V-Log footage into the final look for your project. Matthew Allard ACS 9th Sep 2019. Meet the Panasonic LUMIX S1H and let LUMIX Ambassador Jacob James give you a short overview of the most video-centric member of the S-Series family. The S1H is a full-frame mirrorless camera designed with videographers in mind. Filmmakers expected Panasonic to catch up on this technology as the gap between the two systems is already wide enough, Maybe the next iteration of cameras will bring the update, who knows…. Using V-Log will preserve the most dynamic and tonal range from a RAW-signal making it the best format to prepare for post-production. Panasonic mirrorless camera Panasonic S1H. *2 *3, it combines the video quality … Based on footage seen so far, the S1H is the winner here to me. eval(ez_write_tag([[320,50],'4kshooters_net-box-3','ezslot_4',143,'0','0']));eval(ez_write_tag([[320,50],'4kshooters_net-box-3','ezslot_5',143,'0','1']));In the last year, a lot of rumors have been circulating about Panasonic being ready to unveil a completely new mirrorless camera, something more focused on video. Codecs offer up to 400 Mbit/s and are either All-intra or Long-GOP. Panasonic S1H Footage & first impressions. Panasonic's new solidly built, professional-grade camera is a handful in more ways than one. Finally, the announcement came, and we now have a new full-frame mirrorless camera, specifically aimed at video professionals – the DC-S1H. So how does the Panasonic S1H do in this regard? All you need is a USB-3-cable and the new "LUMIX Tether for Streaming (Beta)" software to feed the live preview of your LUMIX into the computer. As the world’s first camera capable of video recording at 6K/24p *1 (3:2 aspect ratio), 5.9K/30p (16:9 aspect ratio), and 10-bit 60p 4K/C4K. Almost all the specs we would expect from bigger and pricier cameras have been shrunk into this small body, thus making our filmmaking workflow every day a little bit easier. Compatible LUMIX models: DC-GH5, DC-G9, DC-GH5S, DC-S1, DC-S1R, DC-S1H, Apple ProRes RAW Output with ATOMOS Ninja V. The Panasonic LUMIX S1H and ATOMOS Ninja V are getting Apple ProRes RAW recording capability — and LUMIX Ambassador, PhotoJoseph is here to offer a sneak peek of it. Compatible with all Panasonic V-Log cameras, including the S1H, AW-UE150 and AK-UC4000.
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