There was a lot of worry about Sony trying to protect their high-end cinema cameras and cripple the a7S III in a few ways. If I were to change something about the Sony FX9, it would be the extension arm for the handgrip. I have collected the currently available specification information in o… âI would like to see the LUT options menu improved right away,â DP Joe Lipari said. How Different Industries Utilize Training Videos, The Changing Role of the Traveling Producer, White Balance Exposure Mode is automatic, custom, preset or manual, External 16-bit RAW recording with add-on unit, 10-bit S35 4K at 120fps to an external recorder. With amazing low-light dual-base ISO, the eye-capturing S-Cinetone, impressive AF, and an easy to use menu, the FX9 is a valuable purchase for DPs everywhere. A huge difference between the FS7 series and FX9 is that FX9 has a very acceptable autofocus that has been added to Sony’s cinematic camera for the first time. The built-in ND filter makes it so you need fewer accessories to get shooting and makes a much better shooting experience. Your everyday shooter will love the a7S III. Your email address will not be published. Crews Control, Inc. Headquarters 11820 West Market Place, Suite L Fulton, MD 20759. It depends on the lenses you are going to use it with. However, updates (the Mark IIs) for both had lackluster responses. Sony is kicking off the 2019 International Broadcasting Convention (IBC) with exciting new additions to the brand's full-frame cinema lineup. If you’re using cine lenses or heavier zoom lenses then definitely yes. The new Sony FX9 takes the FS7’s body, but turns it into an Olympic athlete in the Sony camera line. Website Designed by Home & Built by MVMG. But in the hopes that we can resume business as usual in the near future, we reached out to some of our top crews to ask how the Sony FX9 will impact future corporate productions. Sony FX9 vs a7S III – Which is Right for You? Canon sells the following two adapters, both with shim kits: 1. eval(ez_write_tag([[300,250],'4kshooters_net-large-mobile-banner-1','ezslot_11',148,'0','0']));The FX9 is still the better choice for professionals even if the a7S III is getting everyone super excited. The FS5 is, by Sony's on definition, a Grab and Shoot Handheld system. Any City. CEO interview in Caracas? Filmmaker Austin Black is a recent FX9 owner and he had to ask himself, “Do I regret buying the FX9?” Now, these two cameras are still very different, but is there enough to justify the FX9’s much higher price tag? After seeing the specs of internal 4K up to 120 fps in 10-bit and a variety of new recording formats it looked almost too good to be true. You can think of the FX9 as a hybridized version of the FS7, the upmarket Venice digital cinema camera, and Sony’s Alpha series of DSLM cameras. The oversampled 4K recording modes will just deliver much better image quality compared to the a7S III. The first thing that strikes you is the size and weight. Sony has made something even better than the FS7. Any Time! It is above the FS7 for a few reasons, but in a direct comparison the full-frame sensor can deliver greater image quality and still provide all the Super 35mm options you want. eval(ez_write_tag([[580,400],'4kshooters_net-box-4','ezslot_5',144,'0','0']));For Black, the short answer to the question of whether he regrets his FX9 purchase is simple: there’s a lot to like about the FX9. Totally helps out when shooting an interview.”. Not a big deal, but my iPhone will shoot 24fps.” A Canon C300MK2 has no issues shooting 24fps as well. At 800 ISO the FX9 is just a little bit better again. The a7S III is still closer to a generic mirrorless camera in color science. If you are an indie filmmaker you can take the same money you would’ve spent on an FX9 and bought two a7S IIIs with plenty of cash left over for accessories, other equipment, or to invest in your next film. “24fps is reserved for the Sony Venice camera. Today, the company has announced the new Sony PXW-FX9 and the FE C 16-35mm T3.1 G wide angle zoom cinema lens, unleashing the powers of your full-frame creativity. Expanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Check Out this Dope After Effects Actor Replacement Technique. Right off the bat, the FX9 is following suit with the FS7. Sony hit the market at nearly the same time with their full-frame mid-tier option. Unlike the FS7, the Sony FX9 shoots full frame, and in *6k. Sony has announced some big products this year at the IBC. DJI RS 2 and RSC 2 Get 3D Focus System Support, Remote Control for Various Cameras and More. âIâve now shot over 20 projects with the new FX9 camera and I am totally enjoying it,” DP Michel Bisson said. The closest competitor to this camera when first announced was Sony's own F5, which strangely enough at the time did not even have 4k internal recording, yet the camera body alone started at $15,999.99. Of course, at being out for less than a year, this camera does have its downfalls. The FX9 with XDCA-FX9 joins the existing Sony RAW capable line-up of FS7, FS7 II, FS5, and FS5 II, which all work with the Shogun 7 to record in ProRes RAW. Which one to choose? Sony announces both the FX9 and Z750 professional video cameras.. What would you get if you threw a boatload of Sony Venice and A9 parts on a table and challenged Sony engineers to make a run and gun camera? Rent it at affordable daily and weekly rates today It’s great to add the Sony FX9 to the large and expanding ProRes RAW family. Why would you ever need something like the FX9 when the much more affordable a7S III is out? Save my name, email, and website in this browser for the next time I comment. Rent daily or weekly! Aspect Ratios. The Sony FX9 is also a full-frame sensor camera with a 6K oversample for a final 4K output. Any Country. Now, the FX9 capitalizes on its excellent design. But will it overshadow the success of the FS7 for future video shoots? The standard EF mount is non-locking. **Dust- and water-resistance does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. Back to all posts. Highlights and Shadows Still, there’s a lot of good in the a7S III so he breaks down all the differences. Having things like XLR inputs, multiple audio channels, SDI output, etc. The Sony FX9 version uses an entirely different connector for the cord to the camera. âThe new FX9 camera will do 23.98fps, but not true 24fps,” DP Jeff Granberry said. Canon has outfitted the C300III with a Super 35mm image sensor whereas Sony went big with a full-frame imager. From the Venice, the FX9 has inherited dual-base ISO technology, meaning the FX9 can switch between shooting modes with an ISO of 800 or 4000. Should you opt for a locking mount? The FS5 really was a specced-down version of the FS7, with a weaker codec. But Sony has given the FX9 many improvements over the FS7 that could significantly impact video productions. Based on just these points it could be easy to declare the a7S III the winner. Another difference is the hand grip with zoom rocker on the FX9. Required fields are marked *. The Dual Base ISO for day or night shots is also a favorite feature for many DPs.Â Here are some of the other features of the FX9: There are many similarities between the two cameras, like the dual XQD cards and XAVC-I codecs. Last year we shared how the Sony FS7 has continued to reign supreme on our camera usage reports for the past three years. Although the FX9 came out in September 2019, it wasnât until February 2020 that the new camera hit the top 10 of our monthly camera usage report: Previous data collected from our camera usage reports from 2014 shows that the FS7 didnât make it into the top 10 of our most used cameras until April 2015, six months after its release. When Sony introduced the PXW-FX9, they were marketing it as a new camera in the Cine Alta line, and not necessarily as a replacement to the FS7, which is one of the most successful large sensor cameras in Sony history. Unlike the FS7, the FX9 shoots full-frame with a 6K sensor and has, what some say, the best facial-focus and most accurate, lifelike colors you can lay your eyes on. It's tiny compared to the FS7 and at under a kilo, it's incredibly light. Here are some FX9 favorite features from our crews: S-Cinetone: The S-Cinetone is a game-changer when it comes to more appealing skin tones and a greater cinematic look for color gradation with a smoother pallet.Â Â The S-Cinetone delivers super accurate skin tones that are a more accurate representation of what is in front of the camera, and more pleasing to the eye.